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<channel>
	<title>YUKOYOKOTA</title>
	<link>https://yukoyokota.com</link>
	<description>YUKOYOKOTA</description>
	<pubDate>Wed, 13 Apr 2022 11:13:42 +0000</pubDate>
	<generator>https://yukoyokota.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Watching a Planetary Dance 2021</title>
				
		<link>https://yukoyokota.com/Watching-a-Planetary-Dance-2021</link>

		<pubDate>Wed, 13 Apr 2022 11:13:42 +0000</pubDate>

		<dc:creator>YUKOYOKOTA</dc:creator>

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Watching a Planetary Dance
Nakanojo Biennale 2021, Isama Studio, Gunma, JP, Grant: Danish Arts Foundation, Scandinavia-Japan Sasakawa Foundation, The Nordic Culture Fund Work made with Johna Hansen in 2021. Being aware of each other in every way remotely, making each production in each place while feeling, and letting them meet each other in a room at Isama Studio in the Nakanojo Biennale. The wind and light that blows there reunite us, and we continue to dance in the substantive sense of distance and the sense of distance of consciousness and sensation that we are placed on this planet.Photo: Nakanojo Biennale Executive Committee

惑星のダンスを見る、中之条ビエンナーレ2021、伊参スタジオ、群馬県、日本、助成：デンマーク芸術財団、北欧文化財団、スカンジナビアニッポンササカワ財団
ヨナ・ハンセンとの2021年共同制作。遠隔であらゆる方法でお互いを意識し、感じ取りながらそれぞれの地で各々制作をし、中之条ビエンナーレの伊参スタジオの一室で作品を出会わせる。そこに吹く風と光が私たちを再会させ、この惑星で私たちが置かれている実質的距離感と意識や感覚の距離感の中で私たちは躍り続ける。
写真：中之条ビエンナーレ実行委員会



    
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		<title>R/LOOM 2018/9</title>
				
		<link>https://yukoyokota.com/R-LOOM-2018-9</link>

		<pubDate>Tue, 21 Apr 2020 00:41:25 +0000</pubDate>

		<dc:creator>YUKOYOKOTA</dc:creator>

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R/LOOM 2018/19


notes, Japan - retur, A. Petersen, Copenhagen, DK, Grant: Danish Arts Foundation, Dreyers Fond, Scandinavia-Japan Sasakawa FoundationR/LOOM&#38;nbsp; built in 2017 with Johna Hansen will enter a new phase. The record of our exchange about things, ideas, air, words and how to connect this related space which appears in front of us.
Time is incorporated, and it becomes space. Experimental installation-2.Photography by Andreas Omvik

notes、Japan-retur、ア・ペーターセン、コペンハーゲン、デンマーク、助成金：デンマーク芸術財団、ドレイヤーズ財団、スカンジナビアニッポンササカワ財団
2017年にヨナ・ハンセンと企画制作したR / LOOMは、新しい段階に入る。物事、アイデア、空気、言葉、そして私たちの前に現れる、この空間との結びつきをどのように関連付け、表現するか。時を織り込む。それは次第に空間となる。私たちが素材、空間、訪れる人々と過ごした時間の中での様々な事柄の可視交換記録。

写真：アンドレアス・オムビック
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		<title>R/LOOM 2017</title>
				
		<link>https://yukoyokota.com/R-LOOM-2017</link>

		<pubDate>Mon, 27 Apr 2020 04:50:19 +0000</pubDate>

		<dc:creator>YUKOYOKOTA</dc:creator>

		<guid isPermaLink="true">https://yukoyokota.com/R-LOOM-2017</guid>

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R/LOOM 2017

What Can Be Seen Between Light and Shadow, Danish art workshop in Copenhagen and vARTe in Varde, DK, Grant: Danish Arts Foundation, Dreyers Fond


This R/LOOM is the first works with artist Johna Hansen. In 2017, we built this structure at the Danish Art Workshop in Copenhagen with a grant from the Danish Arts Foundation to commemorate the 150th anniversary of diplomatic relations between Denmark and Japan and held a performance session at vARTe in Varde.
Weaving and architecture. Build a structure together. Difference in size and materials. The crossing created by two of us who have grown up in different cultures in different areas and majored in different fields to create one thing. Relationships between people, things and spaces are constantly changing and resonating. There is no answers, and the breath, rhythm, and atmosphere that is born every day on the spot. Experimental installation-1.


Photography by Andreas Omvik

光と影の間に見えるもの、デンマークアートワークショップ（コペンハーゲン）、vARTe（バーデ）、助成：デンマーク芸術財団、ドレイヤーズ財団
このR / LOOMは、ヨナ・ハンセンとの初の共同制作であり、 2017年、デンマークと日本の外交関係150周年を記念するデンマーク芸術財団からの助成金を受けて、コペンハーゲンのデンマークアートワークショップでこの構想を構築し、バルデのvARTeでパフォーマンスセッションを開催した。織りと建築。共に過ごし対話を重ね、様々な接点を見つけ活かし合う構造を構築。サイズや素材の違い。異なる地域の異なる文化で育ち、異なる分野を学び出会った2人が見つけた出した様々な交差点、そしてそれを可視化する。人、モノ、空間の関係は常に変化し、共鳴する。答えはなく、その場で日々生まれる呼吸、リズム、空気感。実験的インスタレーション -1。
写真：アンドレアス・オムビック

	

R/LOOM from Andreas Omvik on Vimeo.


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		<title>Three-dimensional</title>
				
		<link>https://yukoyokota.com/Three-dimensional</link>

		<pubDate>Tue, 21 Apr 2020 04:13:00 +0000</pubDate>

		<dc:creator>YUKOYOKOTA</dc:creator>

		<guid isPermaLink="true">https://yukoyokota.com/Three-dimensional</guid>

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Three-Dimensional
1 - 2: 無測量の値へ贈る器 (The things that are not measurable), Handmade Washi Paper Yarn, Stainless Steel, 300 x 200 x 200 cm,&#38;nbsp; Exhibition at

 Okinawa prefectural University of Art


I made a tool to make a strip of paper, and made a pattern based on the difference in appearance between where the twist was applied and where it was not.
This illuminated object casts a shadow on the floor. An object floating in the space made of this paper sways gently when if a person passes by. The shadow also sways like wandering in space.&#38;nbsp;

A vessel that tries to accept invisible things, such as indefinite joy and sorrow.


3 - 4: 縁 (=EN, connection),&#38;nbsp; 
Handmade Washi Paper Yarn, Acrylic Board, 210 x 90 x 90 cm, 2009, Exhibition at 

 Okinawa prefectural University of Art





The edges of the washi paper are soft and non-straight lines are beautiful to me. One of the purposes is to make a yarn that makes use of the lines through which the fibers can be seen. I made tools of this structure to make paper into the shape of threads for use the fiber of Kozo. I made a three-dimensional object using the thread. There are two kinds of thickness of the thread, and the bundle of the thread with a different thickness each makes a visual work that changes the appearance.



2 - 4:

 Photography by Daniel Lopez



1 - 2:無測量の値へ贈る器、手作り和紙糸、ステンレス、300 x 200 x 200 cm、沖縄県立芸術大学、沖縄

流し漉きで、短冊状の和紙を作る道具を作り、撚りを掛けたところと掛けないところの見た目の違いを基に集合体での見え方の違いを作った。光に照らされ、床に影を落とす。この紙でできた空間に浮かぶ物体は、人が通り過ぎるとやさしく揺れ、影も宇宙をさまようように揺れる。不確かなもので溢れている世界。測り知れない喜びや悲しみなど見えないものを受け留める器。
3 - 4:縁、手作り和紙糸、アクリル板、210 x 90 x 90 cm、沖縄県立芸術大学、沖縄
和紙の端は柔らかく、直線ではないその耳の線が綺麗でその和紙の魅力を残した和紙の糸を作り、和紙を撚らずその耳を活かすことを目的とした。この糸を作る為の道具を作成し、何度か実験を重ねた。これは溜め漉きの方法をとっており、ふっくらとした厚みのある糸が出来た。繊維長の長い楮の繊維を使った糸状の和紙。その糸と比較の為、流し漉きの和紙を撚ったものを合わせ、立体物を作った。2種類の異なる太さの糸の束がそれぞれ違った視覚効果を生み出す。 また、鏡状になっているアクリル板を上下に配置し、どこか見えなくなるまで線が連続する視覚的効果の実験。

2 - 4:写真：ダニエル・ロペス

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1
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		<title>Weaving</title>
				
		<link>https://yukoyokota.com/Weaving</link>

		<pubDate>Tue, 21 Apr 2020 04:08:24 +0000</pubDate>

		<dc:creator>YUKOYOKOTA</dc:creator>

		<guid isPermaLink="true">https://yukoyokota.com/Weaving</guid>

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Weaving&#60;img width="1654" height="1102" width_o="1654" height_o="1102" data-src="https://freight.cargo.site/t/original/i/882a8404f82451b331993bf27a88ea0c9106f71e2f5e013b5c524ca09b9cb6cc/web_w_6.JPG" data-mid="67800088" border="0"  src="https://freight.cargo.site/w/1000/i/882a8404f82451b331993bf27a88ea0c9106f71e2f5e013b5c524ca09b9cb6cc/web_w_6.JPG" /&#62;



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		<title>Pattern &#38; Sewing</title>
				
		<link>https://yukoyokota.com/Pattern-Sewing</link>

		<pubDate>Tue, 21 Apr 2020 04:22:38 +0000</pubDate>

		<dc:creator>YUKOYOKOTA</dc:creator>

		<guid isPermaLink="true">https://yukoyokota.com/Pattern-Sewing</guid>

		<description>





Pattern &#38;amp; Sewing

	
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&#60;img width="2343" height="3058" width_o="2343" height_o="3058" data-src="https://freight.cargo.site/t/original/i/fd454061ccc20be947bbcce299375d594d84b7ddb8b0dd9b621daa1648c941b9/web_dress_2.JPG" data-mid="67800759" border="0"  src="https://freight.cargo.site/w/1000/i/fd454061ccc20be947bbcce299375d594d84b7ddb8b0dd9b621daa1648c941b9/web_dress_2.JPG" /&#62;&#38;nbsp;
&#38;nbsp;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/6ee014c6de539f2b53f315fd221f364414986cae8be5abf6f589f500ae026991/IMG_2409.JPG" data-mid="68389563" border="0"  src="https://freight.cargo.site/w/1000/i/6ee014c6de539f2b53f315fd221f364414986cae8be5abf6f589f500ae026991/IMG_2409.JPG" /&#62;&#38;nbsp;
&#60;img width="626" height="835" width_o="626" height_o="835" data-src="https://freight.cargo.site/t/original/i/dea1cdc6b079c7d263fdadaa382b196d760d47d00734fdecbeda173198a817f0/clothes-web2.JPG" data-mid="68871457" border="0"  src="https://freight.cargo.site/w/626/i/dea1cdc6b079c7d263fdadaa382b196d760d47d00734fdecbeda173198a817f0/clothes-web2.JPG" /&#62;

&#60;img width="626" height="835" width_o="626" height_o="835" data-src="https://freight.cargo.site/t/original/i/4df9018aaee6f3890b75e1adb01c716e63fc9b8390dfba326b3dcf2ccad2b732/clothes-web1.JPG" data-mid="68871456" border="0"  src="https://freight.cargo.site/w/626/i/4df9018aaee6f3890b75e1adb01c716e63fc9b8390dfba326b3dcf2ccad2b732/clothes-web1.JPG" /&#62;

&#60;img width="3024" height="3780" width_o="3024" height_o="3780" data-src="https://freight.cargo.site/t/original/i/f1e3a0d57bf5e779cdc3b5288d378acc26e0f16d0213d09c33528ae654c8a3b2/6FE7DD25-241B-443D-A404-936DC6580A7B.jpg" data-mid="242292982" border="0"  src="https://freight.cargo.site/w/1000/i/f1e3a0d57bf5e779cdc3b5288d378acc26e0f16d0213d09c33528ae654c8a3b2/6FE7DD25-241B-443D-A404-936DC6580A7B.jpg" /&#62;

 

&#60;img width="677" height="903" width_o="677" height_o="903" data-src="https://freight.cargo.site/t/original/i/f2b919b66b376857b1fc3f0cd8fc2d2e5b24f5a27cc1c55dd3f1256c5a17cd1c/websolola-1.JPG" data-mid="68591105" border="0"  src="https://freight.cargo.site/w/677/i/f2b919b66b376857b1fc3f0cd8fc2d2e5b24f5a27cc1c55dd3f1256c5a17cd1c/websolola-1.JPG" /&#62;

 Work with SOLOLA 

&#60;img width="450" height="299" width_o="450" height_o="299" data-src="https://freight.cargo.site/t/original/i/5e39dfd1b43c2d9ef7f9a86431cf6b54fb79c04d73e289431c6dd3b5a333a05a/web_cardcase_2.JPG" data-mid="67800763" border="0"  src="https://freight.cargo.site/w/450/i/5e39dfd1b43c2d9ef7f9a86431cf6b54fb79c04d73e289431c6dd3b5a333a05a/web_cardcase_2.JPG" /&#62; Work with Bashou-kobou URUKU


	

</description>
		
	</item>
		
		
	<item>
		<title>Embroidery</title>
				
		<link>https://yukoyokota.com/Embroidery</link>

		<pubDate>Tue, 21 Apr 2020 04:25:30 +0000</pubDate>

		<dc:creator>YUKOYOKOTA</dc:creator>

		<guid isPermaLink="true">https://yukoyokota.com/Embroidery</guid>

		<description>

















	

	

Embroidery
&#60;img width="1113" height="835" width_o="1113" height_o="835" data-src="https://freight.cargo.site/t/original/i/dcee378313a05e6b39b5793665168b56ddd27033031b2ec8ed3cad4cb5619a16/web-embroidery5.JPG" data-mid="68633076" border="0"  src="https://freight.cargo.site/w/1000/i/dcee378313a05e6b39b5793665168b56ddd27033031b2ec8ed3cad4cb5619a16/web-embroidery5.JPG" /&#62;

&#60;img width="1113" height="835" width_o="1113" height_o="835" data-src="https://freight.cargo.site/t/original/i/c6f43e497e64ca028675ff0582dd6b17a0a0a74d3f58142bf2115975403ea409/web-embroidery4.JPG" data-mid="68633083" border="0"  src="https://freight.cargo.site/w/1000/i/c6f43e497e64ca028675ff0582dd6b17a0a0a74d3f58142bf2115975403ea409/web-embroidery4.JPG" /&#62;
	
&#60;img width="662" height="883" width_o="662" height_o="883" data-src="https://freight.cargo.site/t/original/i/8906590dcdaccc0011fc643a63b468f58574b524f3628b0a53f2a4e6016a8691/web-embroidery-7.JPG" data-mid="68633991" border="0"  src="https://freight.cargo.site/w/662/i/8906590dcdaccc0011fc643a63b468f58574b524f3628b0a53f2a4e6016a8691/web-embroidery-7.JPG" /&#62;
&#60;img width="677" height="903" width_o="677" height_o="903" data-src="https://freight.cargo.site/t/original/i/e02daaea1ac66ee154ca583a4b67889e67e6227e0431db30fc5e8c97abfafad4/web_embroidery_4.JPG" data-mid="68880636" border="0"  src="https://freight.cargo.site/w/677/i/e02daaea1ac66ee154ca583a4b67889e67e6227e0431db30fc5e8c97abfafad4/web_embroidery_4.JPG" /&#62;

&#60;img width="677" height="903" width_o="677" height_o="903" data-src="https://freight.cargo.site/t/original/i/63a2bf099b16782a0fbe2f2f13859c9a89ad5858e161e002bba97ea34f25feb5/web-embroidery-6.JPG" data-mid="68633989" border="0"  src="https://freight.cargo.site/w/677/i/63a2bf099b16782a0fbe2f2f13859c9a89ad5858e161e002bba97ea34f25feb5/web-embroidery-6.JPG" /&#62;

&#60;img width="1204" height="903" width_o="1204" height_o="903" data-src="https://freight.cargo.site/t/original/i/6fb8270c3b4fb5455769846fb6829455330fa544c458daea0d6fff1a6cd64b78/web-embroidery-5.JPG" data-mid="68633987" border="0"  src="https://freight.cargo.site/w/1000/i/6fb8270c3b4fb5455769846fb6829455330fa544c458daea0d6fff1a6cd64b78/web-embroidery-5.JPG" /&#62;
&#60;img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/046bc521588c7140a77a6b68409253e1f402b79eac50842188fe888e0930f396/web_embroidery_p1.JPG" data-mid="68634846" border="0"  src="https://freight.cargo.site/w/1000/i/046bc521588c7140a77a6b68409253e1f402b79eac50842188fe888e0930f396/web_embroidery_p1.JPG" /&#62;
&#60;img width="1418" height="2000" width_o="1418" height_o="2000" data-src="https://freight.cargo.site/t/original/i/90f525a731b5b901d09e7b15aba1094bb274f415a42c0ebe9c355c0e40c75388/web_embroidery_p2.JPG" data-mid="68634848" border="0"  src="https://freight.cargo.site/w/1000/i/90f525a731b5b901d09e7b15aba1094bb274f415a42c0ebe9c355c0e40c75388/web_embroidery_p2.JPG" /&#62;

&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/52c1c9290b9b5af26703a6e6a885ad666f2391bf3516ee40f98c184a9b053899/web_e_jo_3.JPG" data-mid="67800837" border="0"  src="https://freight.cargo.site/w/1000/i/52c1c9290b9b5af26703a6e6a885ad666f2391bf3516ee40f98c184a9b053899/web_e_jo_3.JPG" /&#62;&#38;nbsp;Collaboration with 

Joséphine Vejrich Watanabe





</description>
		
	</item>
		
		
	<item>
		<title>Repair</title>
				
		<link>https://yukoyokota.com/Repair</link>

		<pubDate>Mon, 27 Apr 2020 05:18:16 +0000</pubDate>

		<dc:creator>YUKOYOKOTA</dc:creator>

		<guid isPermaLink="true">https://yukoyokota.com/Repair</guid>

		<description>










	

	

Repair




 

&#60;img width="626" height="835" width_o="626" height_o="835" data-src="https://freight.cargo.site/t/original/i/4e786d65b1755ce2cee3782aa1c87e3221d8fcd38425eb453c69cd8c0494badb/web-repair-2.JPG" data-mid="68610699" border="0" data-scale="100" src="https://freight.cargo.site/w/626/i/4e786d65b1755ce2cee3782aa1c87e3221d8fcd38425eb453c69cd8c0494badb/web-repair-2.JPG" /&#62;

&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/75d07d87af9ab77d2b50bbdaa1fb4c60bc0d5cd5f7f7ab68fee161c46d74e340/web-repair-4.JPG" data-mid="68610671" border="0"  src="https://freight.cargo.site/w/1000/i/75d07d87af9ab77d2b50bbdaa1fb4c60bc0d5cd5f7f7ab68fee161c46d74e340/web-repair-4.JPG" /&#62;

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/f6196825fdf161ea43032af6dd2cb88b9099b9a348fe81e5d9082aa1c9ba9f99/web_d_mending_2.JPG" data-mid="68609883" border="0"  src="https://freight.cargo.site/w/1000/i/f6196825fdf161ea43032af6dd2cb88b9099b9a348fe81e5d9082aa1c9ba9f99/web_d_mending_2.JPG" /&#62;

&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/a0cafbc0766185a53d708ce253985eac95ddfaf477ad598ac361b517993791b2/web-repair-1.JPG" data-mid="68610698" border="0"  src="https://freight.cargo.site/w/1000/i/a0cafbc0766185a53d708ce253985eac95ddfaf477ad598ac361b517993791b2/web-repair-1.JPG" /&#62;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/8900646e3ae409fa98d5c69ca19de4abeeb8eeb0a43612b26eef2c1779edfd8d/IMG_2452.JPG" data-mid="242292918" border="0"  src="https://freight.cargo.site/w/1000/i/8900646e3ae409fa98d5c69ca19de4abeeb8eeb0a43612b26eef2c1779edfd8d/IMG_2452.JPG" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Workshops</title>
				
		<link>https://yukoyokota.com/Workshops</link>

		<pubDate>Tue, 21 Apr 2020 04:27:02 +0000</pubDate>

		<dc:creator>YUKOYOKOTA</dc:creator>

		<guid isPermaLink="true">https://yukoyokota.com/Workshops</guid>

		<description>










	

	

Workshops
Having the possibility to share my knowledge and to learn from others has always been rewarding for me. Following are some impressions of workshops I’ve run, collaborating with other artists and designers.1-2: Created by Hōho-sha (Fumiko Gomi, Harumi Horikiri), collaboration with Shoko Matsumoto, Kumiko Katsuno, Namu Sakakibara, Kaori Nakamura. Dying and producing Indigo Flags for Ginza-dori-shotenngai, Yamanashi, Japan3-5: Collaboration with Fumiko Gomi, Book Covers made with Siwa Paper from ONAO paper company, Yamanashi, Japan

6-7: Workshop at Art Festival in Kofu, Yamanashi, 2011, in collaboration with Namu Sakakiwara at Fusetsu Gallery, Kofu. Designing and dying flags for the festival by citizens of Kofu, Yamanashi, Japan



8-9:&#38;nbsp; An entrance curtain for a wedding at classical Japanese style inn, designed with Erina Sugi, Yamanashi, Japan

	
&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/c839e8ef755c23da855841074bacf4a5426dd5088932bb9a3a48228f79eb8eaa/web_workshop_indigo_4.JPG" data-mid="67800926" border="0"  src="https://freight.cargo.site/w/1000/i/c839e8ef755c23da855841074bacf4a5426dd5088932bb9a3a48228f79eb8eaa/web_workshop_indigo_4.JPG" /&#62;1
&#60;img width="1108" height="1478" width_o="1108" height_o="1478" data-src="https://freight.cargo.site/t/original/i/addf8b47b809d2b9dc473957f4de6391dda5267c08f464cc520adef6edcabe41/web_workshop_indigo_5.JPG" data-mid="67800928" border="0"  src="https://freight.cargo.site/w/1000/i/addf8b47b809d2b9dc473957f4de6391dda5267c08f464cc520adef6edcabe41/web_workshop_indigo_5.JPG" /&#62;2
&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/cb748c13052147a364674ba1fc4e2bcdd0f9f793f9d2a6f174f36017434859c2/web_workshop_paper_2.JPG" data-mid="67800925" border="0"  src="https://freight.cargo.site/w/1000/i/cb748c13052147a364674ba1fc4e2bcdd0f9f793f9d2a6f174f36017434859c2/web_workshop_paper_2.JPG" /&#62;3&#38;nbsp;&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/32bfdeec78259194e803f4f2a85961d24bd670b10de029ceea0755e981f390e6/web_workshop_paper_1.JPG" data-mid="67800929" border="0"  src="https://freight.cargo.site/w/1000/i/32bfdeec78259194e803f4f2a85961d24bd670b10de029ceea0755e981f390e6/web_workshop_paper_1.JPG" /&#62;4&#38;nbsp;&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/4b996354e1f25121ba01499d75fca82846b4730df889bb46337b0d534a0a4b61/web_workshop_paper_3.JPG" data-mid="67800930" border="0"  src="https://freight.cargo.site/w/1000/i/4b996354e1f25121ba01499d75fca82846b4730df889bb46337b0d534a0a4b61/web_workshop_paper_3.JPG" /&#62;5&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/22d614a1fa9ce3fcba03a82fd68b996e2b7f78704ab7cbeec0a5e03f3f632bbe/web_workshop_flag_1.JPG" data-mid="67800927" border="0"  src="https://freight.cargo.site/w/1000/i/22d614a1fa9ce3fcba03a82fd68b996e2b7f78704ab7cbeec0a5e03f3f632bbe/web_workshop_flag_1.JPG" /&#62;6
&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/3076b2cc61f14fdab5dcadb6049c3bb4087272b42258584a4b33e1d2033dea4c/web_workshop_flag_2.JPG" data-mid="67800924" border="0"  src="https://freight.cargo.site/w/1000/i/3076b2cc61f14fdab5dcadb6049c3bb4087272b42258584a4b33e1d2033dea4c/web_workshop_flag_2.JPG" /&#62;7


&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/af6befbd231626038a803195bb5934c5f40a70b0fdfba967f8b3715d5487333e/web_d_wedding_1.JPG" data-mid="68286895" border="0"  src="https://freight.cargo.site/w/1000/i/af6befbd231626038a803195bb5934c5f40a70b0fdfba967f8b3715d5487333e/web_d_wedding_1.JPG" /&#62;
8
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/6a50bda3985bc40d38bb7e3af737125f3e9746989a9d86cd7cba33c00d050c20/web_d_wedding_2.JPG" data-mid="68286898" border="0"  src="https://freight.cargo.site/w/1000/i/6a50bda3985bc40d38bb7e3af737125f3e9746989a9d86cd7cba33c00d050c20/web_d_wedding_2.JPG" /&#62;9
</description>
		
	</item>
		
		
	<item>
		<title>Research</title>
				
		<link>https://yukoyokota.com/Research</link>

		<pubDate>Tue, 21 Apr 2020 04:29:31 +0000</pubDate>

		<dc:creator>YUKOYOKOTA</dc:creator>

		<guid isPermaLink="true">https://yukoyokota.com/Research</guid>

		<description>











	

	

Research
Following are some impressions of my research on textile techniques and fiber production as well as dyeing processes. &#38;nbsp;















&#60;img width="1170" height="878" width_o="1170" height_o="878" data-src="https://freight.cargo.site/t/original/i/5fd69bcd59331bb66d56c767441ea458b36ed42c4d5d83ee0dc70684434c5592/web-paperthread-2.JPG" data-mid="68504734" border="0"  src="https://freight.cargo.site/w/1000/i/5fd69bcd59331bb66d56c767441ea458b36ed42c4d5d83ee0dc70684434c5592/web-paperthread-2.JPG" /&#62;
&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/df9a966dc4838f98f13b403db5fc6368fb16ae4e0bda3568be0e4c4388307dbe/web-paper-1.JPG" data-mid="68504733" border="0"  src="https://freight.cargo.site/w/1000/i/df9a966dc4838f98f13b403db5fc6368fb16ae4e0bda3568be0e4c4388307dbe/web-paper-1.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/0a2e0c3f560f151586f6d7b5ccd5a24e90d5847f2c3b413533a64eaa3684cf78/web_paperweaving_2.JPG" data-mid="68286331" border="0"  src="https://freight.cargo.site/w/1000/i/0a2e0c3f560f151586f6d7b5ccd5a24e90d5847f2c3b413533a64eaa3684cf78/web_paperweaving_2.JPG" /&#62;
&#60;img width="835" height="835" width_o="835" height_o="835" data-src="https://freight.cargo.site/t/original/i/ea1b0c36a9cdbb34c7af21d8d446d95242517d84ffa30a86a01c6ac467238852/web-paprethread-3.JPG" data-mid="68504735" border="0"  src="https://freight.cargo.site/w/835/i/ea1b0c36a9cdbb34c7af21d8d446d95242517d84ffa30a86a01c6ac467238852/web-paprethread-3.JPG" /&#62;

	
	
Impressed by the beautiful feeling of hand made paper-thread weaving and its process, the ongoing research is aiming to learn the techniqe of paper-thread making through the encounter with Ms. Sadako Sakurai who revived the once lost techniqe of Shiraishi City, Miyagi Prefecture. (2017-)

&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/c7272d15f21adb02aed0ad3ea09988958a6283a7e2683ea43334e01c126d54db/web_indigo_2.JPG" data-mid="68586339" border="0"  src="https://freight.cargo.site/w/1000/i/c7272d15f21adb02aed0ad3ea09988958a6283a7e2683ea43334e01c126d54db/web_indigo_2.JPG" /&#62;
&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/778169f7500d01f0a67fa9998df40d8e7adf044b1318344f21bcf2facc0740d5/web_indigo_1.JPG" data-mid="68586338" border="0"  src="https://freight.cargo.site/w/1000/i/778169f7500d01f0a67fa9998df40d8e7adf044b1318344f21bcf2facc0740d5/web_indigo_1.JPG" /&#62;
&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/16c8f9d8e1741b37b0f960992ea20447bf5fb35fd11d4c1b4cfebf1cbaa01178/web_indigo_3.JPG" data-mid="68586340" border="0"  src="https://freight.cargo.site/w/1000/i/16c8f9d8e1741b37b0f960992ea20447bf5fb35fd11d4c1b4cfebf1cbaa01178/web_indigo_3.JPG" /&#62;
&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/3fb381549bacf4796e71324fea5f932644eb50e1ec113060ddd4111a4e990ddc/web_indigo_4.jpg" data-mid="68586341" border="0"  src="https://freight.cargo.site/w/1000/i/3fb381549bacf4796e71324fea5f932644eb50e1ec113060ddd4111a4e990ddc/web_indigo_4.jpg" /&#62;
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A research started to sow the seeds of indigo (Persicaria tinctoria) and to learn the process of fermentation of Sukumo indigo and the process from plant to dye. The color of the season of fresh leaf dyeing always shakes my heart! 
(2019-)


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The bright pink color of safflower dye was very surprising to me. It is also interesting to extract the dye with alkaline water without applying heat. The change in color from yellow to pink was another factor that caused me to plant the seeds. Also, as an experiment of whether plants are suitable for this land and suitable for future dyeing and weaving activities.(2018)



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&#60;img width="2000" height="2667" width_o="2000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/dbc1761ba90a26759613c2c95088a6291cdbdf50e43be2fa16896c5b21854a07/web_arrowroot_5.JPG" data-mid="67801047" border="0"  src="https://freight.cargo.site/w/1000/i/dbc1761ba90a26759613c2c95088a6291cdbdf50e43be2fa16896c5b21854a07/web_arrowroot_5.JPG" /&#62;

	
	
Humans have always used fibers of various plants as threads. There are various ways to process plant fibers into a thread, and I am interested in the creativity and the ingenuity of the people who create with things locally. Hence I learned the technique and history how to take fibers from the Kudzu vine and weave it from Ōigawa Kudzu-fu weaving sutudio. (2018)





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The process from cotton cultivation to making cloth. This research started in 2018 and is currently in progress. I am interested in the variety of cotton plants, and in the question of whether cotton cultivation is suitable for this land. I started the research due to my curiousity on the global environment and social issues such as the reasonable price of cotton distribution, as well as labor force.(2018-)














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In Dhamadka, Kutch region of India with artist Pallavi Sen, Learn from Mr. Jabbar Khatri about Ajarak Block Print and natural dye.(2020)


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	My research on Flax in Finland has started.
Process of Cultivating, Planting Seeds, and Spinning Flax into Yarn.(2025~)

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